Into Glory Ride
| Into Glory Ride | ||||
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| Studio album by | ||||
| Released | July 1, 1983 | |||
| Studio | Music America, Rochester, New York | |||
| Genre | ||||
| Length | 45:26 | |||
| Label | ||||
| Producer |
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| Manowar chronology | ||||
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Into Glory Ride is the second studio album by American heavy metal band Manowar, released in July 1983 by Megaforce Records and Music for Nations. The first to feature drummer Scott Columbus, the album's title is a reference to the title track from the band's previous album Battle Hymns.
The album received mixed to positive receptions, with some writers calling Into Glory Ride influential in developing power metal music and a further refinement of Manowar's music style, as opposed to their previous album.
Background
[edit]For their second album Into Glory Ride, Manowar signed another major label and gained headlines in the British music press for signing the new contract in their own blood, becoming the first band to demonstrate their commitment this way and being against "false metal".[3] The signing was a cover story in the 1983 July/August issue No. 47 of Kerrang![4][5]
In a TrueMetal.it September 2021 interview with Ross "The Boss" Friedman, Friedman stated that as a "super history buff", he was fond of Vikings and Ancient Greece. With Joey DeMaio, Friedman conceived the image of the band and the concept for Into Glory Ride.[6] Regarding the album artwork and the image of the band, Friedman stated that Manowar "ordered real swords; it was all real, we were real. We were completely involved. We used to think that everything in life is a battle, until today, everything is a battle, you have to strive to improve, to prepare, to overcome obstacles and to become a better person every day. Be good to others and tough on your enemies. We were all Manowars, or so I thought..."[6]
The ethos of "true metal", "false metal", and the phrase "Death to false metal" is prominently featured in Into Glory Ride, where both are printed on the album sleeve.[7][8][3] Writers and media outlets observed that "true metal" aligns with Manowar themselves, and the authentic characteristic of heavy metal music, whereas "false metal" aligns with commercial motivations and poseurs.[9][10] Jon Zazula, founder of Megaforce Records was quoted as saying "This is Manowar, not Men at Work" by Kerrang! in 1983.[4]
Songs
[edit]Side one
[edit]"Warlord"
[edit]"Warlord" is a song about a biker riding around having sex with girls.[7] The song starts with two people making love, but are quickly disturbed by the girl's parents including a broken escape by the young male protagonist.[11][12] The main subject of "Warlord", the biker is said to be also watching television and seeing an appeal for aid in another part of the world; The biker disparages the appeal for aid, declaring "stop sending money; send 'em all a bomb".[7] Some authors claim that Manowar in "Warlord" channels the essence of a working-class biker, which may have likely resonated with metal fans of the time.[13][7] Phil Freeman, writing for Burning Ambulance asserts that biker culture is one of Manowar's primary themes in their music.[13] Others claim that the lyrical content of "Warlord" manifests a degree of hypermasculinity and misogyny that would be considered problematic.[7]
In 1996, the band's eighth album Louder Than Hell the opening track from the album called “Return of the Warlord,” is a sequel to the song “Warlord”.[13]
"Secret of Steel"
[edit]"Secret of Steel" represents the continuation and refinement of the power metal style, that Manowar first explored with the eponymous closing track to their 1982 debut album Battle Hymns.[14] Some music writers observed the song to be a tribute to the 1982 film Conan The Barbarian.[12][3][15] According to Freeman and Burning Ambulance, Manowar frequently employ steel as a recurring metaphor, for several of their songs. "Secret of Steel" is their first song whose title is connected with the word "steel".[13]
The song has also been described as an ode to sword and sorcery stories, as well as having a doomy atmosphere.[11][16] The song also heavily features a choir and Ross the Boss' guitars.[4]
"Gloves of Metal"
[edit]An anthemic heavy metal and power metal song, "Gloves of Metal" is about being a warrior of metal, dressed in leather, studs and spikes.[3][15] The song also draws on the imagery of sword and sorcery's barbarians and heavy armored army slowly marching forward.[15] A major characteristic of "Gloves of Metal" is the slow, pacing rhythm throughout the song.[16] The arrangement is said to be reminiscent of the clanking of armor and chains at marching speed. Some writers have noted the singing of Eric Adams in the song as being powerful and operatic.[7] The lyrics mentions the name "metal kings", which would become one of their well known nicknames and later inspire the title of their sixth studio album Kings Of Metal.[17]
Manowar filmed their first official music video for "Gloves of Metal" in 1983.[18] The music video features shots of leather-clad warriors riding on horseback through the forest, Manowar miming the studio recording as if it was a live performance, and fighting and victory scenes.[19] In 2000, the German web magazine Vampster named the video "one of the most iconic that the metal scene has ever seen", and described both the music video and the "best-known" song as "[getting] its power from its slow pace". Vampster deemed the music video complementary to the album artwork of Into Glory Ride.[16] In 2014, VH1 ranked the song 'Gloves of Metal' as the 6th greatest heavy metal song with the word "metal" in the title.[20]
"Gates of Valhalla"
[edit]"Gates of Valhalla" is a Norse-influenced heavy metal song about being a Viking warrior fighting and dying for glory in the afterlife, a fantasy-based heroic mythos that incorporates elements of Viking culture.[15] The song is one of Manowar's first ballads and prominently features "histronic" singing vocals and melancholic lyrics expressing a final battle of a Viking and being sent to Valhalla upon his death: "With sword in hand, I scream the final battle cry".[3][16][11][15] Some music writers consider Manowar to be pioneers of Viking metal, calling them "forefathers" due to the lyrical content of "Gates of Valhalla" among other songs.[21][16]
Side two
[edit]"Hatred"
[edit]"Hatred" is a heavy metal song with doom metal influences. The song is described as having an aggressive, dark and doom rhythm with "strange" dissonant guitars, along with varying rhythms that becomes atmospherically dense.[12] The song's name is screamed twice in succession in the chorus.[11][22] Music writers have described Eric Adams' screams in "Hatred" as "merciless" and the song as "sluggish", and full of "aggressiveness" and "measured grind" with its gory lyrics.[3][12][11][16][23]
"Revelation (Death's Angel)"
[edit]The song references the New Testament's vision of the final Apocalypse, as told in the Book of Revelation.[22] British sociologist Karl Spracklen observes that Manowar uses this reference to turn the morality tale into a "glory of the final battle against Satan", where the lyrics reject the Satanism of heavy metal for an explicit embrace of an idea that resembles the Victorian era religious movement Muscular Christianity.[22]
"Revelation (Death's Angel)" features archetypical heavy metal characteristics such as the galloping rhythm of Scott Columbus' drums and was described as having an "almost majestic atmosphere" by some music writers.[11] Music writers have also noted the refrain of the song being melodic and evoking powerful vivid imagery and theme, describing the songwriting quality as "excellent" and the vocals as "full" and "emotional".[12][23]
"March for Revenge (By the Soldiers of Death)"
[edit]The song describes the revenge of soldiers of death, describing their battles, wars and accomplishments filled with revenge after the fallen soldiers, who have died in battle: "Let revenge be sweet, for when we march, your sword rides with me".[9][16] Writers and music outlets such as Kerrang! note the recurring theme of "rape and pillage" being very prominent in the song, quoting the lyrics: "maim and kill them, take the women and children".[4][9] Some reviewers committed that the song is "a perfect successor" of the title track of Manowar's debut album Battle Hymns, "Battle Hymn", observing that "March for Revenge" follows the similar musical structure as the latter.[12][11]
Release
[edit]Into Glory Ride was released in July 1983 by Megaforce Records in the United States, and Music for Nations for the rest of the world.[4] Manowar appeared on a Nickelodeon talk show Livewire in 1983 to promote their album Into Glory Ride. Manowar performed two songs live, "Gloves of Metal" and "Revelation (Death's Angel)". Members of the band, dressed in barbarian warrior attire in a similar manner as the promoted album's artwork, took questions from an audience of teenagers, parents, and grandparents.[24][25]
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| Collector's Guide to Heavy Metal | 7/10[26] |
| Metal Forces | 6/10[27] |
| The Encyclopedia of Popular Music | [5] |
Into Glory Ride received mixed to positive receptions among writers and critics. In November 1983, Metal Forces writer Bernard Doe describes the album as "weak and quite tame" compared to the "tough macho image" the band portrayed.[27] Referencing the phrase "Death to false metal" as printed in the sleeve notes, Doe bitingly implies that Manowar is the "false metal", owing to the macho image he considered as "fake".[27] While lauding the musicianship of Eric Adams and Ross the Boss, naming "Warlord" and "Revelation (Death's Angel)" as exemplary tracks, Doe noted that Into Glory Ride is an improvement from their previous debut album Battle Hymns.[27] Writing for AllMusic, Steve Huey described Into Glory Ride as "murky and unfocused" but observed that some songs are strong enough to be "Manowar standards".[2]
In 2000, the German online magazine Vampster described Into Glory Ride as "an absolute killer" and lamented that after the album, "MANOWAR will never write such an album again - not even remotely. ... no band has managed to create a comparable work [to Into Glory Ride]".[16] The same year, the online magazine PowerMetal.de rated the album 9.32 stars out of 10 stars and praised the album for its passion for "myths and legends", musicianship, speed, and aggression, declaring that "MANOWAR have remained absolutely true to each other with the disc".[28]
In 2005, Into Glory Ride was ranked number 444 in Rock Hard magazine's book Best of Rock & Metal: Die 500 stärksten Scheiben aller Zeiten.[29] In 2006, the online magazine Metalfan.nl rated the album 94 out of 100 points, calling Into Glory Ride an "almost entirely epic album, further developing the aspects of the debut's best songs ... A top record from a top band."[11]
2019 remixed version: Into Glory Ride: Imperial Edition MMXIX
[edit]On 29 March 2019, Into Glory Ride was remixed from the original multitrack recordings and released as Into Glory Ride: Imperial Edition MMXIX. The album was remixed at Joey DeMaio's Valhalla Studios in Owasco, New York.[30][31] The band stated that they had been "forced into a somewhat rushed and compromised production" during the original recording.[31] The album artwork of Into Glory Ride: Imperial Edition MMXIX differs from the original album artwork, as it includes an artwork by the artist Ken Kelly, depicting a warrior riding a golden chariot with horses.[32][33]
In 2019, the Greek online magazine Metal Invader described Into Glory Ride as "one of the masterpieces of a band that influenced the Metal firm as little as possible... So they deserve our respect...". Reviewing for the Imperial Edition, Metal Invader asserted that the 2019 version "deserves to be next to the classic since it brings to the surface many new elements in terms of sound."[34]
Track listing
[edit]All songs written by Joey DeMaio, except where noted.[8]
| No. | Title | Length |
|---|---|---|
| 1. | "Warlord" | 4:15 |
| 2. | "Secret of Steel" (Ross the Boss, DeMaio) | 5:50 |
| 3. | "Gloves of Metal" (Ross the Boss, DeMaio) | 5:25 |
| 4. | "Gates of Valhalla" | 7:12 |
| No. | Title | Length |
|---|---|---|
| 1. | "Hatred" | 7:42 |
| 2. | "Revelation (Death's Angel)" | 6:31 |
| 3. | "March for Revenge (by the Soldiers of Death)" | 8:31 |
| Total length: | 45:26 | |
Personnel
[edit]Personnel per Megaforce Records and Music For Nations.[8][35]
Manowar
- Eric Adams – vocals
- Ross the Boss – guitars, keyboards
- Joey DeMaio – bass, bass pedals
- Scott Columbus – drums, percussion
Production
- Jon Mathias – producer, engineer
- John Petre – assistant engineer
- Joe Brescio – mastering
- Dennis "Snake" Dragone, Armond "The Arm" Biondi, Michael "Moto" Malvasio, Anthony Chiofalo – technicians
- Barbata Cesiro – coordinator
- Geoffrey Hargrave Thomas – art direction, illustrations (photo)
- Melissa Chatain – art supervision
- Jay Bergen – management, representation
Cover versions
[edit]- British metal band Solstice covered "Gloves of Metal" for their reissue of the 1996 EP Halycon.[36]
- American grindcore band Anal Cunt (credited as AxCx) and musician Phil Anselmo covered "Gloves of Metal" for the band's album 40 More Reasons to Hate Us in 1996.[37][38]
References
[edit]- ^ Bonutto 1983, p. 4-5.
- ^ a b c Huey.
- ^ a b c d e f Bonutto 1983, p. 5.
- ^ a b c d e Bonutto 1983, p. 3-6.
- ^ a b Larkin 2006, p. 485.
- ^ a b "Ross The Boss Interview (Ross "The Boss" Friedman)". TrueMetal. September 13, 2021. Retrieved September 13, 2021.
- ^ a b c d e f Spracklen 2020, p. 82.
- ^ a b c Megaforce Records 1983.
- ^ a b c Spracklen 2020, p. 81.
- ^ Bonutto 1983, p. 5-6.
- ^ a b c d e f g h Lennert. "Manowar - Into Glory Ride". Metalfan.nl. Retrieved June 6, 2006.
- ^ a b c d e f Cle, Bruder. "Manowar - Into Glory Ride- Review". Dark Scene.
- ^ a b c d Freeman, Phil (July 6, 2012). "MANOWAR". Burning Ambulance.
- ^ Marco (July 25, 2019). "The Secret of Steel: A Guide to Epic Heavy Metal Pt. 1 – Introducing and Defining the Genre". Ride Into Glory. Retrieved July 25, 2019.
- ^ a b c d e Spracklen 2020, p. 80.
- ^ a b c d e f g h Fierce. "Hall Of Fame- MANOWAR- Into Glory Ride". Vampster Web Magazine. Retrieved October 16, 2021.
- ^ "KINGS OF METAL MMXIV – A celebration, not a replacement". MANOWAR- Official Website.
- ^ "Manowar: Gloves of Metal". IMDb.
- ^ "MANOWAR "Gloves Of Metal (Special Edition)" - OFFICIAL VIDEO". YouTube. Magic Circle Music. April 18, 2015. Archived from the original on December 12, 2021. Retrieved April 18, 2015.
- ^ Smith, Benjamin (April 3, 2014). "The Best Heavy Metal Songs With "Metal" In The Title - VH1". VH1. Retrieved January 7, 2025.
- ^ Krovatin, Chris. "A Pairing Of Viking Metal Bands And Minnesota Vikings Players". Kerrang. Retrieved November 16, 2008.
- ^ a b c Spracklen 2020, p. 80-81.
- ^ a b Festuccia, Filippo. "Manowar - Into Glory Ride- Review". Metalllized.
- ^ Shaw, Zach (May 31, 2016). "Remember When: Manowar appeared on Nickelodeon?". Metal Insider. Retrieved May 31, 2016.
- ^ Kretsch, Ron (April 4, 2014). "Barbarian metal is for the children: Manowar on Nickelodeon". dangerousminds.net. Retrieved January 7, 2025.
- ^ Popoff 2005, p. 212-213.
- ^ a b c d Doe 1983, p. 22.
- ^ Kragl, Alex. "Manowar - Into Glory Ride- Review". Power Metal.de.
- ^ Rensen 2005, p. 31.
- ^ Wilcox, David (May 19, 2021). "Valhalla 'Messiah': Oscar-nominated film's score mixed at Owasco studio". The Citizen (Auburn, New York). The Citizen. Retrieved January 7, 2025.
- ^ a b "MANOWAR Release "Into Glory Ride" and "Hail To England" Imperial Editions MMXIX (Remixed/Remastered)". Manowar.com. Retrieved February 4, 2021.
- ^ "INTO GLORY RIDE IMPERIAL EDITION MMXIX (Remixed/Remastered)". MANOWAR- The Official Website.
- ^ "Ken Kelly Fantasy Art Painter- Manowar". Ken Kelly Fantasy Art Painter.
- ^ Papadakis, Chris. "Manowar - Into Glory Ride- Review". Metal Invader. Retrieved June 11, 2019.
- ^ Music for Nations 1983.
- ^ Thomas, Erik (January 3, 2008). "Solstice: Lamentations, Halcyon EP, New Dark Age Re-issues". Teeth of the Divine. teethofthedivine.com. Retrieved January 7, 2025.
- ^ Torreano, Bradley. "40 More Reasons to Hate Us Review". AllMusic. AllMusic. Retrieved January 7, 2025.
- ^ Ferragatta, Fabio Marco (May 12, 2020). "POTREBBE ANDARE PEGGIO: POTREMMO DIMENTICARE GLI ANAL CUNT". Impatto Sonoro (in Italian). impattosonoro.it. Retrieved January 7, 2025.
Sources
[edit]- Bonutto, Dante (July 28, 1983). "Male Oriented Rock: Manowar sets their sight on glory". Kerrang!. No. 47. Kerrang!. Retrieved January 6, 2025.
- Doe, Bernard (August 1983). "Manowar - Into Glory Ride". Metal Forces (1). Retrieved July 3, 2015.
- Huey, Steve. "Review of Into Glory Ride". AllMusic. AllMusic. Retrieved January 6, 2025.
- Megaforce Records (1983). Into Glory Ride (LP sleeve). MANOWAR. New York City: Megaforce Records, Inc. MRI 169-666.
- Music for Nations (1983). Into Glory Ride (LP sleeve). MANOWAR. London, England: Music for Nations. MFN 6.
- Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 5 (4th ed.). London, England: Muze and Oxford University Press. ISBN 978-0-19-531373-4.
- Popoff, Martin (November 1, 2005). The Collector's Guide to Heavy Metal: Volume 2: The Eighties. Burlington, Ontario, Canada: Collector's Guide Publishing. ISBN 978-1894959315.
- Rensen, Michael, ed. (2005). Best of Rock & Metal - Die 500 stärksten Scheiben aller Zeiten (in German). Rock Hard. ISBN 3-89880-517-4.
- Spracklen, Karl (May 11, 2020). "Chapter 6: Manowar: True Metal Warriors". Metal Music and the reimagining of masculinity, place, race and nation. Emerald Publishing Limited. ISBN 9781838674434.
